Ágnes Draskóczy received her diploma as a violinist in 2009, in the historical town of Pécs (South-West Hungary).  Starting from  2004 she participated in several orchestra tours throughout the world and later she continued touring with the Royal Moscow Ballet throughout Europe.  Since 2010 she has given several concerts of chamber music with her quartet on ocean cruisers.

Nowadays she is more and more inclined to improvisation, which she considers the poetry of the present moment. She believes it is like a hidden conversation: while listening to the present and observing it the sounds are born from a translucent, impeccable source- creating community.

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Edina Góra landed in the musical world of the gong from the field of sound therapy. She’s been working with Tibetan balls and the gong since 2006. In the last couple of years she has expanded the range of instruments she uses. So as to renew her gong play methods she added eastern percussions to the sessions of the relaxation sound baths. The acquired frame drum techniques have gradually taken part in her gong play. 

This process made her move towards completely renewed tones, in which musicality gains more ground, together with a conscious and –simultaneously – spontaneous, improvisative free play.  Her gong play reflects her attitude towards Sufi traditions, faith, humanity and humans, with the constant presence of the contemporary environment of Europe. This she intends not to exclude of her music but to merge these distinct and truly valuable worlds and integrate them as much as possible.